There is also a Tsoi Wall in downtown Minsk. Fans created the Tsoi Wall in central Moscow as a memorial to the musician, decorated with portraits of the artist and personal dedications. They include bands such as Agatha Christie, Alyans, Aquarium, Auktyon, Zvuki Mu and KINO with frontman Viktor Tsoi, the Russian-Kazakh-Korean musician and actor who achieved cult status, especially after his fatal car crash in Soviet Latvia in 1990, and whose legacy endures to this day. In the 1990s, many of the bands in the post-Soviet space became celebrated rock stars and some are still active today. The lyrics were generally written in Russian – the Soviet lingua franca – although musically, there was a direct connection to Soviet post-punk’s British counterparts. In oppositional and apolitical urban intellectual circles, these works were well-received and proved to be a fertile source of inspiration, with post-punk bands emerging in the USSR in the late 1970s and early 1980s despite the all-seeing eye of the state. Western recordings also remained a rare and, for the most part, illegal and highly priced commodity until the demise of the Soviet Union. Post-punk today remains a flexible genre, located at the interface with dark wave, new wave, Gothic rock and synth pop globally, its best-known exponents are The Cure, Joy Division and Bauhaus.īehind the Iron Curtain, obtaining recordings of the leading representatives of the genre was almost impossible, with very few exceptions, mainly from Moscow and Leningrad/Saint Petersburg. The artists distanced themselves from the extreme political content of punk, on the one hand, and the commercialism of rock, on the other, and their works were imbued with a mood of nihilism and transience, with overtones of the avant-garde. It was a broad church: an experimental field between the burgeoning punk movement and classic rock, with numerous influences from philosophy, art, literature and film. Post-punk first appeared in Britain in the late 1970s. From Britain to the USSR and the post-Soviet space Due to Russian’s grammatical structures, the song title is open to interpretation – who is dead inside? You, me or him? The subject is male, for sure, but no one is mentioned by name. The album included the song Myortv vnutri (Dead Inside), featuring the Belarusian band Molchat Doma (Houses are Silent). described the album as society’s cry for help. remarked that the lyrics had become more political and that the band had not shied away from openly commenting on social conditions. But 505 held some surprises for music critics in Russia. Their characteristic sound is elegiac, their lyrics decadently romantic – not uncommon for post-punk and dark wave. Since the early 2010s, the duo, consisting of Ivan Kurochkin and Vitaly Talyzin, has become well-established as one of the leading bands in Russia’s new alternative music scene. In February 2021, the post-punk band Electroforez from Saint Petersburg released their album 505.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |